He trailed behind, carrying his snowboard across both shoulders. “You mean Asian women don’t kill themselves over love?”
“I told you a thousand times. Asian women are survivors. Even geishas. If Pinkerton left Butterfly, she wouldn’t kill herself in real life. More likely she’d open a nail salon.”
We trudged up the slope.
After some consideration, Siegfried said, “So, if I were to write an opera set in China – “
“Hong Kong.”
“Hong Kong – why would the Asian heroine commit suicide? And how?”
I considered, mentally running through tabloid headlines. “Her lover lost money in the stock market. Or, he’s being investigated for corruption. Shamed, she throws herself out of a forty-storey condo window.”
“Hm. I can’t really work with that.”
“Or she seals the windows and burns charcoal in a charcoal burner and asphyxiates.”
Siegfried turned to me, eyes shining. “Burning charcoal?”
“Sure. A lot of people commit suicide like that in Hong Kong. But I think dumping yourself in an avalanche is better for theater,” I said hastily. “You’ll never get my idea past the fire marshal.”
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